I tried Vision a few times and I just couldn't mesh with it.
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Pro Tools for audio and mixing, Logic for sequencing. Ive been told alot of the early 90s house music producers in new york used it first back in the very earlu 90s (1990/1991) (louie vega, benji candelario, wayne rollins etc) midi composers must have really loved working with it. and revolutionary with what it was capable of doing. and i plan on making my b&W g3 dedicated to studio vision pro permanently.įrom what ive seen it has a great deal of advanced thinking going on with its user interface. i dont know the program well but the ltitle that i have seen of it via videos on the tube, (and there arent many) + of course its history, has my utmost respect. if it was up to me all the opcode downloads would be posted publicly. Yes ive been trying to stress the importance of opcode studio vision to the admins here for quite some time, they seem to think studio vision is an antiquated piece of *** and isnt worth posting in the downloads section unfortunately. I was a dancing raver kid jumping up + down to breakbeats + house hihats at the time lol Thats cool that u did one of the demo tracks!!! interesting
I have a proteus-1, procussion + proteus 2000 ok well there are more but i have a bunch other hten those. Those 2 are the only e-mu modules i *dont* have prety much. It was a lot of fun, and I'm grateful that E-mu was cool enough to let us do it. If you get a chance on the E-mu Morpheus and Orbit there are demo songs that my buddy Jeremy and I did where I used a lot of my best SV continuous controller tricks. Ray's strip charts are still the best, and the replace event/selection tools will make your head spin with ideas (and glad you studied math). There are things it does well that other apps still don't do. But for going back to OS9 I think it's about using something that was special in that time, and for me SV fits that option pretty well. Zooming for one-it would be great if you could zoom with the touch pad like browsers, iPads, and iPhones do. Yeah sure there are things that I'd like to see it do. I'm totally blown away by the current version of DP. Many of the other apps have made it to OS X, and have improved significantly over the years. Although forums and YouTube have changes things so much.įor me StudioVision is what brought me to this forum. If you don't know one yet then see what your friends use, because then you'll have someone to help you when you get stuck-and you will get stuck. Really it seems like a goofy answer, but it's totally true. In answer to your opening question: The one you know. Yeah it was really fucking cool to be around all these super cats. was making Max a commercial product via Opcode. At the same time this was going on David Z. SV was being developed at the same time as OMS was being developed. Yup so all that tasty midi that's been showing up in PT is thanks to Dave. the captain of the Opcode ship, and the mind behind StudioVision went on to Digi after Opcode died. There were probably some other folks that helped, but I don't know them so oh well. He took all his knowledge, and experience creating OMS, and applied it to Core Midi. Yup all of the Core Midi stuff was Doug doing OMS 2.0. I was at Opcode while he was creating OMS-it was an exciting time, and working with Doug was heady.ĭoug went on to Apple when Opcode died. I'll start with Doug-he's most apropo to the current discussion because he was the architect of OMS. Lets talk about some of the cats that programed at Opcode. Would it have happened without SV? Sure, of course-but they were the first.
The previous apps were either a midi app, or a tape deck replacement. Okay arguably StudioVision was the very first program to integrate audio and midi at a high level. I can help out here, but Chris you have to go back and edit the OP to include StudioVision.
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